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A global trend may be more fantasy than substance. (The Hindu 17/02/2018)
Dharavi has been an interesting setting for many Mumbai based films. This article discusses a few films from the past decades that feature Dharavi as a place central to their narratives.
Inviting contractors from all over Mumbai to collaborate on designs for homes in Dharavi with residents, architects, and artisans.
In a global context, populations marginalized because of race, class, gender, creed, etc. are those most incessantly stripped of this right to design the city in their own image within formalized constraints. In this way, the “informal” urban process of self-construction is inherently a product of this same marginality that excludes these groups from “formalized” city-making.
Dharavi’s massive redevelopment project aims to turn it into a ‘world-class’ neighborhood, but this vision risks erasing its unique identity and thriving homegrown economy. Instead of replacing it with glass towers and luxury spaces, Dharavi could be a model for a ‘world-grown city’—one that values its community-driven development while staying connected to the global economy.
The Handstorm workshop brought together various actors from all around the world to build things that could improve the neighbourhood based on discussions with residents and with the help of local artisans
Ahmedabad in the race of developing cities of India where inspite large availability of land the property prices are shooting up.
Based on a multi-year research with the Mobile Lives Forum on the linkages between Mumbai and Konkan villages this essay, first published in the magazine FuturArc, describes an Indian model of urbanization.
More than a third of Bogota, the capital of Colombia, is estimated to be self-built by the inhabitants, mainly in the periphery of the city. In this article, we learn from Andrés Sánchez of urbz Colombia about the emerging forms of organisation and constant transformation in these self-built neighborhoods.